Martin Kinnane

Writen by Laneikka Denne

Directed by Kim Hardwick

Set & Costume Designer Angus Konsti

Lighting and Vision Designer Martin Kinnane

Photography by Jasmin Simmons

Writen and Directed by Liam Maguire

Set & Costume Designer Ella Butler

Lighting Designer Martin Kinnane

Photography by Matt Predny

by Campion Decent

Directed by Kim Hardwick

Design by Martin Kinnane

Sound Design and Composition by Patrick Howard

Photography by Jasmin Simmons

Co-directed by Emily Ayoub and Arisa Yura

Designer/ Devisor Tobhiyah Stone Feller

Sound Designer Ben Pierpoint

Lighting Designer Martin Kinnane

by Giles Gartrell-Mills

Directed by Bishanyia Vincent

Set and Costume Design by Slade Blanch

Lighting Design by Martin Kinnane

by Joanna Erksine

Directed by Sophie Kelly

Set and Costume Design by Lucy McCullough

Lighting Design by Martin Kinnane

Associate Lighting Designer Jasmine Borsovszky

Directed by Andrew Ross

Lighting and Video Design by Martin Kinnane

Photographs by Robert Catto

by William Shakespeare

Directed by Elsie Edgerton-Till

Set and Costume by Isabella Andronos

Lighting Design by Martin Kinnane

Composed by Wolfgang Amadeus Mozart

Music Directed by Dr Stephen Mould

Directed by Elsie Edgerton-Till

Set and Costume Design by Isabella Andronos

Lighting Design by Martin Kinnane

Hair and Makeup: Rachel Del Santo

Assistant Director: Ellen Wiltshire

Costume Supervisor: Alana Canceri

Costume Assistants: Emily Saunders, Katrina Gale

Photographers: Isabella Andronos and Patrick Boland

by James Sherman

Directed by Moira Blumenthal

Set and Costume design by Hugh O’Connor

Lighting Design by Martin Kinnane

by Tanya Ronder

Directed by Kim Hardwick

Set and Costume Design by Isabel Hudson

Lighting Design by Martin Kinnane

Writen and Directed by Charlie Garber

Producers Rebecca Blake and Jessica Pantano

Set and Costume Designed by Jonathon Hindmarsh

Lighting Design by Martin Kinnane

Lighting Associate Jasmine Ryzk

by John Hodge

Directed by Moira Blumenthal

Set and Costume Designed by Colleen Cook

Lighting Design by Martin Kinnane

by Lewis Treston

Directed by Fraser Corfield

Set and Costume by Aleisa Jelbart

Lighting Design by Martin Kinnane

by Philip Ridley

Directed by Kim Hardwick

Set and Costume Design by Ella Butler

Lighting Design by Martin Kinnane

Photography Jasmine Simmons

Directed by Damian Ryan

Set and Costume Design by Jonathan Hindmarsh

Lighting Design by Martin Kinnane

by Beth Steel

Director Kim Hardwick

Set and Costume Design Victor Kalka

Lighting Design Martin Kinnane

Sound Desing and Composition Claire Hennessy

Photography Becky Matthews

by Michael McStay

Directed by Samantha Young

Lighting Design by Martin Kinnane and Jasmine Rizk

Photography by Clare Hawley

by Erika Sheffer

Directed by Joseph Uchitel

Set and Costume Design by Anna Gardiner

Lighting Design by Martin Kinnane

by Louris van de Geer

Directed by Nell Ranney

Set and Costume Designed by Isabel Hudson

Lighting Design by Martin Kinnane

Photography by Clare Hawley

Directed by Sophie Kelly

Set and Costume by Tyler Hawkins

Lighting Design by Martin Kinnane

Photography by Tracey Schramm

Directed by Anthony Skuse

Photography by Clare Hawley

Directed by Kristine Landon-Smith

Set and costume by Nick Fry

Photography by Clare Hawley

Directed by Carly Fisher and Rosie Niven

Set and costume by Dave Angelico

Photography by David Hooley

Directed by Benjamin Schostakowski

Set and costume by Gabrielle Rowe

Photography by

Directed by Jessica Arthur

Set and costume by Maya Keys

Photography by Clare Hawley

Lighting design strongly supports the sense of place, particularly for a terrace house party scene with warm lights creating a dingy, humid room. - Jenna Schroder Audrey Journal

Directed by Elsie Edgerton-Till

Set and costume by Sabina Myers

Photography by Mathew Clausen

Directed by Danielle Maas

Set and costume by Tobias Manderson-Galvin

Photography by Bob Seary

Directed by Carissa Licciadello

Set and costume by Nick Fry

Photography by Jasmin Simmons

Lighting design by Martin Kinnane moves the space from a French dressing room to an execution and beyond. Again, deceptively simple in its atmospheric touch. - NIGHTWRITESYDNEY

Written by James Balian and Roger Vickery

Directed by Kevin Jackson

Set and costume design by Rachel Scane

Photography by James Balian

Lighting design by Martin Kinnane proves invaluable in conveying, with remarkable clarity, the many unusual spacial and temporal transformations required of the production. - Suzy Goes See

Written and Directed by Hannah and Eliza Reilly

Set and costume by Isabella Andronos

Lighting Design by Martin Kinnane

Dramaturgy by Samantha Young

the lights (by Martin Kinnane) evoke the glimmering otherworldliness of the fishtank meet-cute in Baz Luhrmann’s Romeo + Juliet  - Time Out

Lighting designer Martin Kinnane brings an excellent sense of dynamism to the plot, moving us between dimensions with great efficiency. - Suzy Goes See

Written by Emily Sheehan

Directed by Katie Cawthorne

Set and costume design by Tyler Ray Hawkins

Photography by James John

Martin Kinanne’s lighting turns on the visual magic with a dash of ultra violet. - Jason Blake Audrey Journal

Written by Michael Andrew Collins

Directed by Frazer Corfield

Set and costume by Aleisa Jelbart

Photography by Tracey Schramm

Written by Edna Walsh

Directed by Kim Hardwick

Set and costume design by Isabel Hudson

Photography by Clare Hawley

Martin Kinnane's lighting design keeps the work in a softer lighting in keeping with the fact that the story never leaves the apartment. His signal to the audience for the intermission is inventive and to the point. - Broadway World

it is lit with finesse by Martin Kinnane. - Kevin Jackson

Written by James Raggatt

Directed by James Raggatt

Set and costume design by Kyle Jonsson

Photography by Emily Havea

Star of the show is not an actor, but lighting designer Martin Kinnane, whose aesthetic inventiveness and technical excellence, bring to the production a necessary polish, along with rigorous calibrations of mood, from scene to scene. - Suzy Goes See

Martin Kinnane’s lighting design, an overhead grid of tubes that flick from red to blue to purple, is very effective. - Jason Blake Audrey Journal

Written by Frank Gauntlett

Directed by Gareth Boylan

Set and costume design by Derrick Cox

Photography by Robert Catto

Written by Annie Baker

Directed by Craig Baldwin

Set and costume by Hugh O’Connor

Photography by Marnya Rothe

Martin Kinnane achieves a surprising range of atmospheric modifications with his lights, and has us transfixed with the unusual perspective offered by having us looking, wrong way round, into the projector lens, watching rays instead of images that have accompanied us hundreds, if not thousands, of times before. - Suzy Go See

Written by Richard Beynon

Directed by Kim Hardwick

Set and costume design by Isabel Hudson

Photography by Danielle Lyonne

Martin Kinnane’s lights, are beautifully evocative, affecting our imagination with flair and efficiency. - Suzy Goes See

Written by Charles O’Grady

Directed by Sarah Hadley

Set and costume by Tilly Robba

Photography by

the Lighting keeps the experience on a keen edge of interest. - Kevin Jackson

Written by Dale Wasserman

Directed by Kim Hardwick

Set and costume by Isabel Hudson

Photography by Marnya Rothe

especially noteworthy are Martin Kinnane’s lights; compelling when subtly rendered, and utterly remarkable when his creativity turns bold or extravagant. - Suzy Goes See

Written by Jeanette Cronin

Directed by Kim Hardwick

Set and costume design by Isabel Hudson

Photography by Robert Catto

Martin Kinnane’s lights speaking softly but intricately, the visuals are sumptuous but never obtrusive. - Suzy Goes See

Written by Dorothy Hewett

Directed by Carissa Licciardello

Set by Kyle Jonsson

Costume by Courtney Westbrook

Photography by Bob Seary

Martin Kinnane’s lights are beautifully rendered, for a show that looks remarkably polished - Suzy Goes See

by Nick Enright

Directed by Kim Hardwick

Set and Costume Design by Isabel Hudson

Lighting Design by Martin Kinnane

Photography by Danielle Lyonne

Written by Catherine McKinnon

Directed by Kim Hardwick

Set and costume by Isabel Hudson

Photography by Danielle Lyonne

a grey-blue fluorescent bleakness and spareness, lit suitably pragmatically, by Martin Kinnane - with warm spots of colour for character direct conversation with the audience - Kevin Jackson

by Micheal Cristofer

Director Kim Hardwick

Set and Costume Design Isabel Hudson

Lighting Design Martin Kinnane

Sound Desing and Composition Julian Starr

Photography Robert Catto

Written by Georg Büchner

Directed by John Sheedy

Set and costume design by Sabina Myers

Photography by

Written by Wajdi Mouawad

Directed by Sarah Goodes

Set and costume by Antoinette Barbouttis

Photography by

Written by Gretel Vella and Carissa Licciardello

Set and costume by Tilly Brodie

Photography by

by Aiden Fennessey

Director Kim Hardwick

Set and Costume Design Stephen Crutis

Lighting Design Martin Kinnane

Sound Desing and Composition Kelly Ryall

Photography Brett Boardman

by Jonathan Gavin

Director Kim Hardwick

Set and Costume Design Mark Thompson

Lighting Design Martin Kinnane

Sound Desing and Composition Steve Francis

Photography Danielle Lyonne